‘Much better vibe’: the phone-free Manchester nightclub reviving the rave spirit
Inspired by Berlin clubs, Amber’s’ phone ban has been embraced by clubbers seeking deeper connections
‘Drawings do not lie’: film-maker Michel Hazanavicius on his animated feature about the Holocaust
The Oscar‑winning director of The Artist spent five years creating The Most Precious of Cargoes. He talks about why he would never have made it as a live action movie
Labour group tells MPs they must be on YouTube and TikTok
Group asks influencers and popular figures to help party’s backbenchers engage audiences and challenge narratives
A Working Man review – Jason Statham puts the hours in, to no avail
The actor dons a hard hat for more knuckle-dusting mayhem but is let down by David Ayer’s portentous direction
The Woman in the Yard review – uncanny chiller loses its way
A mysterious woman gradually advances on a widow’s isolated home in Spanish director Jaume Collet-Serra’s creepy latest
How and why parents and teachers are introducing young children to AI
Guardian readers share the ways and reasons they are preparing their children and students for a future that may necessitate familiarity with generative artificial intelligence
La Cocina review – Rooney Mara stars in overstuffed New York kitchen drama
The frenetic action is beautifully choreographed, but Alonso Ruizpalacios’s take on Arnold Wesker’s 1957 play The Kitchen feels stagey
The week in theatre: The Women of Llanrumney; North By Northwest – review
Azuka Oforka’s bold, ambitious play confronts the horrors of slavery, while Emma Rice takes on Hitchcock’s classic, sidelining suspense but springing surprises
‘It’s soul-destroying’: actors’ fury over the rise of self-tape auditions
Equity union says filming audition scenes at home amounts to unpaid labour and reinforces elitism
Visions of America: 25 films to help understand the US today
From The Apprentice to 13th, our critic selects titles that shed light on the US under Trump
In brief: Taking Manhattan; The Horse; Twist – review
A new perspective on the birth of New York; a magic realist story about a broken-down songwriter; and a resonant tale about a diver keeping the internet’s undersea network alive
The End review – post-apocalyptic musical with Tilda Swinton is catastrophically self-indulgent
In their luxury bunker, the ultra-wealthy last survivors of a global disaster break into song – to sometimes painful effect – in Joshua Oppenheimer’s bloated if visually stunning debut fiction feature
Is it safe? Is it spying? Disquiet over NHS ‘magic eye’ surveillance camera in mental health units
Campaign calls for investigation into the use of Oxevison amid concerns over care and its effect on patients
‘I go for the jugular’: Carrie Coon on The White Lotus, female friendship and toxic politics
Fearsomely authentic, Carrie Coon has dazzled in a host of roles, from The Leftovers to Gone Girl and Fargo. With the latest season of The White Lotus glueing us to our screens, she talks about US politics, freedom and finding her voice