The Oscar‑winning director of The Artist spent five years creating The Most Precious of Cargoes. He talks about why he would never have made it as a live action movie
Guardian readers share the ways and reasons they are preparing their children and students for a future that may necessitate familiarity with generative artificial intelligence
Azuka Oforka’s bold, ambitious play confronts the horrors of slavery, while Emma Rice takes on Hitchcock’s classic, sidelining suspense but springing surprises