That's a wrap
Well, two years into its new and reformed era, the Golden Globes appear to be back to form, with all the A-listers in attendance, several feel-good wins – particularly Demi Moore for best female actor in a musical or comedy – and some tea leaves for the Oscars in March.
Nikki Glaser, a roast comic new to awards hosting, avoided the low punches and lazy cliches of Jo Koy’s disappointing monologue last year; her bits balanced warmth and bite, neither offensive nor weak, and were consistently funny.
Awards-wise, it was a disappointing night for the musical hopeful Wicked, which snagged only the box office award. Instead, Emilia Pérez and The Brutalist emerged poised for strong Oscar campaigns, with four and three wins apiece. On the TV side, things went about as expected, with Emmy favorites Shōgun, Hacks and Baby Reindeer winning most of the awards.
All in all, a solid (and not noticeably boozy) broadcast for an awards show that needed a solid showing. Thanks for sticking with us! We’ll see you back here for the Oscars …
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And here’s my colleague Benjamin Lee’s nice summary of the evening:
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Worth watching Adrien Brody’s speech in full:
And here’s the full list of winners:
Here’s our red carpet gallery for the evening featuring the night’s top looks, from Zendaya (obviously) to Timothée Chalamet and more:
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In case you missed it, there was a lil Fast & Furious reunion tonight, in service of the award for cinematic or box office achievement:
Club Chalamet has spoken on Timothée’s loss. No word yet on his date this evening…
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WINNER: Emilia Pérez — motion picture - musical or comedy
Another film with an excellent night –Jacques Audiard’s operatic Emilia Pérez wins best musical or comedy. Audiard calls up Emilia herself, the Spanish actor Karla Sofia Gascón, to accept the award for the Spanish-language Netflix film.
“Light always wins over darkness,” says Gascón, now the first out transgender actor to win a Golden Globe film award. She has a rousing message to viewers: “You can maybe put us in jail, you can beat us up, but you can never take away our soul or resistance or identity.”
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WINNER: The Brutalist — motion picture drama
As expected by now, The Brutalist is tonight’s best drama film, capping off a solid night of best director and best actor.
“I prepared one speech, not two,” says the director, Brady Corbet, though he thanks the people who “over and over again bet on this film that kept falling apart”.
And he makes clear how much this film had to overcome, in a long point on the importance of directors: “I was told that this film was undistributable. I was told that no one would come out and see it. I was told that it wouldn’t work. I don’t resent that. But I want to use this as an opportunity to lift up … all the extraordinary film-makers in this room. Films don’t exist without the film-makers.”
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WINNER: Adrien Brody (The Brutalist) — male actor in a motion picture drama
This one tracks – an emotional Adrien Brody wins for The Brutalist, a frontrunner for best drama tonight.
“I’m deeply humbled by this,” he says with a wavering voice, praising the film as a “monument to humanity and the arts”. He thanks his parents – particularly his mother and her parents, who, like his character, fled the Holocaust in Hungary for life in the US.
“There was a time not too long ago where I thought this may be a moment never afforded to me again,” he adds, “so thank you.”
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WINNER: Fernanda Torres (I'm Still Here) – female actor in a motion picture drama
This is a surprise! Viola Davis, this year’s Cecil B DeMille lifetime achievement award winner – now presented in a separate ceremony, as part of the Globes’ efforts to be more like the Oscars – presents a best dramatic female actor award to Fernanda Torres.
Torres, the first female Brazilian actor to win a Golden Globe, sweetly dedicates the award to her mother – the first female Brazilian actor nominated for a Golden Globe, as Torres said on the red carpet, and “proof that art can endure through life”.
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For those interested, here’s the serious part of Richard Gadd’s speech for Baby Reeinder:
WINNER: Shōgun — television series drama
Again, no surprise – Shōgun made history in September when it won a record 18 Emmys, and the FX drama is deservedly triumphant again tonight.
Co-creator Justin Marks notes that “nothing about this show has ever been expected,” including that “Hans Solo is looking at us” right now. But special thanks go, as ever, to the “East meets West cast and crew” of the historical epic, which is largely in Japanese and stars many Japanese actors.
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WINNER Anna Sawai (Shōgun) — female actor in a television series drama
Another Emmys repeat – Anna Sawai wins her first Golden Globe for her outstanding performance as translator extraordinaire Lady Mariko on the feudal Japanese epic.
Sawai keeps it short and sweet, perhaps owing to the show running long. “Thank you for the voters for voting for me even though I would vote for Kathy Bates any day,” she says. And “thank you everyone else – I’m going to thank you later!”
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WINNER: Hacks – television series – musical or comedy
As go the Emmys, so too the Golden Globes – Hacks wins best comedy series over last year’s winner The Bear.
The co-creator, writer, executive producer and star Paul W Downs accepts in several languages – as many as his reps would allow (lol). “We do have to shoot tomorrow and we have a call time of 6am, so if Jean Smart asks for a shot, please do not give it to her,” he notes, specifically calling out Kate Winslet.
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WINNER: Baby Reindeer — limited series, anthology series or television movie
No surprise here – Baby Reindeer, Richard Gadd’s Netflix series that cleaned up at the Emmys, wins again.
“The Rock’s here, this is crazy!” says the Scottish comedian, clearly excited. But on a more serious note, “people were kinda crying out for something that spoke to the painful inconsistencies of being human”, he adds of the series based on his real-life experience with being stalked.
“We need stories that speak to the complicated and difficult nature of our times,” he advocates. Cut to Ted Sarandos, as Gadd calls on streamers to save money for “the little people to tell their stories”.
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Here’s Demi Moore’s moving acceptance speech in full:
WINNER: Wicked — cinematic or box office achievement
A very self-satisfied Vin Diesel, of the Fast & Furious franchise, presents the second “cinematic and box office achievement” award, a category seemingly invented to 1) get Taylor Swift to attend last year and 2) court blockbuster audiences.
Wicked, the bestselling Broadway adaptation of all time that has been shut out so far tonight, gets the (consolation) prize. The director Jon M Chu thanks the producer Marc Platt, the cast and crew for 20 years of Wicked on Broadway, and the film crew in a speech that goes long on falling in love with movies and the fans.
The whole thing – sounding like a good Oscars race pitch! – shows, as he says, that “we can still make art that’s a radical act of optimism, that is empowerment and that is joy”.
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WINNER: El Mal (Emilia Pérez) – original song for a motion picture
This is the third win for Emilia Pérez, which is leading in awards so far tonight.
“This is such an American experience,” says the composer Camille, accepting with her musical and real-life partner, Clément Ducol, for the breathy track about corruption sung in the film by a righteous, infuriated Zoe Saldaña.
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WINNER: Trent Reznor and Atticus Ross (Challengers) – original score for a motion picture
A win for the club girls! The longtime musical partners Trent Reznor and Atticus Ross win for their pulsating, high-BPM score for Luca Guadagnino’s Challengers. “We’d always think we’d get the call: ‘Can you turn this down a little bit?’” said Ross. “And we never did.” And thank God for that.
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It’s been a pretty smooth Globes so far, but the decision to not play clips of the nominated films/shows, and instead show where the stars are sitting as if they’re pins on Google Maps, is not going down well with some…
WINNER: Brady Corbet (The Brutalist) — director of a motion picture
Brady Corbet, director of the three-plus-hour epic on a Holocaust survivor’s immigration to the US that is emerging as a strong contender for best picture this year, pointedly notes that just a few months ago, the film’s release was jeopardized.
And he thanks three pivotal people lost during the making of the film: his grandfather, his grandfather’s brother and the late film and television producer Kevin Turen.
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WINNER: Flow – animated motion picture
A big moment for Latvia! Gints Zilbalodis accepts on behalf of the Latvian film team – “a place where there isn’t a big film industry” – for the nearly wordless animated film about a black kitty.
“This is a big deal for us,” he says. “Thank you so much for embracing our little cat film.”
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We’ve reached the midset break for the Globes – as in, Nikki Glaser is back with a quick sprint of jokes, from the “the lingering stench of ballroom salmon” to a tally of the acceptance speeches. Cast and crew has 11 mentions so far, while God, “creator of the universe”, has zero.
And, naturally, a joke in support of Moore’s feel-good win for The Substance. “If you’re a woman over 50 in a lead role, they call it a comeback,” said Glaser. “If you’re a guy over 50 in a lead role, congratulations – you’re going to play Sydney Sweeney’s boyfriend.” Yep.
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WINNER: Sebastian Stan (A Different Man) — male actor in a film – musical or comedy
Another surprise, given that Sundance breakout A Different Man is a dark, difficult film, and decidedly very un-Globes.
“Our ignorance and discomfort around disability has to end now,” says Stan, accepting on behalf of a film concerning physical disfigurement. “These are tough subject matters, but these films are real and their subjects matter.”
Stan also shouts out his mother, who left Romania with Stan when he was a kid, and his stepfather.
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WINNER: Demi Moore (The Substance) – female actor in a film – musical or comedy
Oh wow, this is an upset – though the narrative of the longtime Hollywood star Demi Moore leading a movie that skewers how Hollywood discards older actresses is just too good, and very Globes.
Moore seems surprised, too. “I’m just in shock right now,” she says. “I’ve been doing this a long time, like over 45 years, and this is the first time I’ve ever won anything as an actor.”
In a lengthy and moving speech, Moore recalls how a producer once told her that she was just a “popcorn actress” – that she “couldn’t be acknowledged, and I bought in, and I believed that”.
That started to change when she got the script for The Substance, in which “the universe told me that you’re not done”.
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WINNER: Jodie Foster (True Detective: Night Country) – female actor in a television limited series, anthology series or television film
“The greatest thing about being this age and being in this time is having a community of all these people,” says Jodie Foster as she accepts her fifth (!) Golden Globe for the latest season of True Detective.
As she did at the Emmys, Foster dedicated her win, in part, to the Indigenous people whose stories assisted the Alaska-set show – “they changed my life, and hopefully they’ll change yours.”
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WINNER: Colin Farrell (The Penguin) — male actor in television limited series, anthology series or television film
Everyone’s favorite Irishman Colin Farrell is delightful as always, shouting out craft services and the other team members on HBO’s The Penguin. “You all know it takes a village, whether it’s a small screen or a big screen.”
But special thanks go to the show’s “extraordinary makeup team”, who rendered him unrecognizable as the Gotham villain, with three hours of prosthetics each day. “I guess it’s prosthetics from here on out,” he joked.
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WINNER: Emilia Pérez — non-English language motion picture
It’s looking like it could be a big night for Emilia Pérez, Jacques Audiard’s gonzo musical / thriller / soap opera about a former Mexican cartel boss who transitions genders.
“Thank you for celebrating with us a certain idea of fluidity,” the French director says through a translator. “In these troubled times I hope that Emilia Pérez will be a beacon of light for those of us not lucky enough to count among their friends a woman as powerful and passionate as” the film’s star, Karla Sofia Gascón.
The preeminent news outlet of our time, Pop Crave, has posted host Nikki Glaser’s full opening monologue. Her bit, balancing jabs and tributes, got much, much better reactions than Jo Koy’s cringefest last year, which went down like a lead balloon in the room and was roundly mocked after.
WINNER: Ali Wong – standup comedy performance
The awards show veteran Ali Wong, last year’s best actress in a limited series winner for Beef, wins for her latest, post-divorce standup special Single Lady, and shouts out her hometown of San Francisco. Tough break for the host, Nikki Glaser, who was also nominated.
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WINNER: Peter Straughan (Conclave) – motion picture screenplay
The first win tonight for the best drama contender Conclave goes to the screenwriter Peter Straughan, who adapted Robert Harris’s airport novel into a thrilling, taut drama of petty cardinals and Vatican gossip.
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WINNER: Jeremy Allen White (The Bear) – male actor in a television series - musical or comedy
A bit of a surprise, given the shift in opinion on The Bear at the Emmys and my expectation that the Globes voting bloc would be charmed by Adam Brody in Nobody Wants This. Jeremy Allen White isn’t in attendance, so presenter Jennifer Coolidge accepts on his behalf.
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WINNER: Tadanobu Asano (Shōgun) – male supporting actor on television
Another win for the TV show heavily predicted to dominate the drama categories. “Maybe you don’t know me. I’m an actor from Japan,” a triumphant Tadanobu Asano says to cheers. He’s apparently jet-lagged because, he reports, he flew in from Japan for this show and will fly back out to set right after.
But first – “this is a very big present for me,” he shouts, “thank you so much!”
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WINNER: Jessica Gunning (Baby Reindeer) – female supporting actor on television
Baby Reindeer’s Jessica Gunning tells a sweet story about getting a hamster for Christmas as an eight-year-old and repeatedly saying, in her Yorkshire accent, “I can’t believe this is happening to me.”
The line has become a slogan for her big year since the Netflix show aired – “I cannot believe that any of this is happening to me,” she says.
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Glaser continues to keep it light – much gentler than her comedy can be – with a would-be musical bit that seemingly aims at the papal thriller Conclave and Wicked, sporting a papal hat and Glinda and, but mostly pokes fun at herself for singing in front of one Elton John.
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WINNER: Hiroyuki Sanada (Shōgun) — male actor in a television series, drama
First an Emmy winner, now a Golden Globe! Hiroyuki deservedly wins for FX’s historical epic Shōgun, set in feudal Japan, which nearly swept the Emmys’ drama categories in September.
“Thank you for everyone who has been in my life. All of you have brought me here,” the Japanese star said. “For the young actors and creators in the world, please be yourself, believe in yourself and never give up.”
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WINNER: Kieran Culkin (A Real Pain) — male supporting actor in a motion picture
Sporting a bunch of friendship bracelets and kids’ tattoos, Kieran Culkin accepted the award for best male supporting actor in a film for A Real Pain with a lot of false starts. “My wife and I did a shot of tequila with Mario Lopez,” he said. “I love the Golden Globes!”
“I’m here because Jesse Eisenberg wrote an incredible script,” he said, along with a couple of thank yous before he “pissed off” – to Emma Stone and her production company Fruit Tree, his manager and his mom, among others.
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WINNER: Jean Smart (Hacks) — female actor in a television series — musical or comedy
And the first TV award of the night goes to the ever-deserving Jean Smart of the excellent Hacks. “I’ve never been so happy to be called a Hack,” she said before thanking her co-star (and onscreen co-writer/assistant) Hannah Einbinder.
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WINNER: Zoe Saldaña (Emilia Pérez) — female supporting actor in a motion picture
The first award of the night goes to an overwhelmed Zoe Saldaña for her acting/rapping/singing in the wild genre trip that is Emilia Pérez.
“My heart is full of gratitude,” she shouted through tears. “This is a first time for me and I’m just so blessed that I’m sharing this moment with Selena [Gomez] and Karla [Sofia Gascón] and Jacques [Audiard] … I know that it’s a competition but all I have witnessed is us showing up for each other and supporting each other.”
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It's showtime!
The celebs are seated, the champagne poured, and the 82nd Golden Globes are under way. The host, Nikki Glaser, best known as a pretty brutal roast comic, kept it pretty safe tonight – welcome to “Ozempic’s biggest night!” was her opening line – striking the right tone between ribbing and warmth.
“I am not here to roast you tonight,” she promised. “How could I really? You’re all so powerful, so talented … you could do anything, except tell the country who to vote for.”
Glaser took an equal opportunity roasting approach, with digs at TV (“tonight we celebrate the best of film and hold space for television”), streaming platforms (“I think I’ve seen more actual peacocks in my life than shows on Peacock”), Timothée Chalamet (“you have the most gorgeous eyelashes on your upper lip”), and Netflix’s Emilia Pérez (“without a doubt, the most audacious, groundbreaking film to auto-play after Is It Cake?”).
And she signed off with a very important reminder to the stars: “If you do lose tonight, please keep in mind that the point of making art is not to win awards. The point of making art is to start a tequila brand so popular that you never have to make art again.” All in all, a solid start!
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The show’s about to begin so over and out from me, but not without one final look: Tilda Swinton, proving here that while colour was the main talking point when it came to the costumes in The Room Next Door – Swinton even said in a recent interview that “everybody in Pedro’s films dressed not only for each other but for Pedro! That’s what colour is for” – there’s an awful lot that a razor-sharp cut can do, too.
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In a pleasing shift from Elphaba green, Cynthia Erivo has opted for an extremely ornate custom Louis Vuitton gown that could, in a certain light, be likened to a particularly beautiful doily.
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If she wins tonight for best actress in a musical or comedy, the Emilia Pérez star Karla Sofia Gascón would become the first out trans actor to take home a film Golden Globe. (Michaela Jaé Rodriguez became the first trans actor to win a TV award three years ago, for Pose.) Gascón could also become the first out trans actor nominated for an Oscar – a prospect she discussed the Guardian in October.
“If it happens, I will be the happiest actress in the world,” she said. “If not, it doesn’t matter. All I could do – all I did – was to put my entire soul into the film. And I believe it is the best work of my life.”
Read the full interview here:
In case you need a refresher, here’s a full list of nominations from Anora to Zendaya:
“It is a comforting thing to be able to put your mind somewhere else, to something entertaining, that also has a bit of a mystery. People need that right now – to get away from everything and get lost.”
Here’s our interview with tonight’s best actress in a drama series nominee Kathy Bates, talking about Matlock:
“I will not name names. But as recently as a couple of months ago, I had certain people telling me that I would never make another movie. So yes, absolutely, having the film heralded in this way is just great.”
Here’s our interview with tonight’s best director nominee Brady Corbet, talking about his epic saga The Brutalist:
Nobody does it quite like Zendaya. Her stylist, or image architect, as he likes to be known, Law Roach, told the New York Times ahead of time that the star would be wearing a Louis Vuitton look “inspired by Joyce Bryant, the glamorous Black singer of the 1940s and 50s who broke racial barriers in nightclubs”.
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While there’s no clear frontrunner for the film awards, the TV side of things is easier to predict. Three shows dominated September’s Emmy awards: FX’s Shōgun for best drama (taking the space left by the dearly departed Succession, which cleaned up at last year’s Globes); Netflix’s Baby Reindeer for limited series; and Max’s Hacks for comedy.
The Globes are traditionally the tipsy, erratic aunt of awards season, so who knows what will happen; we’ll have a better sense of the new voting body’s taste in the years to come. But I’d expect another sweep for the industry-favorite Shōgun – Anna Sawai and Hiroyuki Sanada deserve! – and a strong night for Hacks, given the waning popularity of The Bear, last year’s dominant comedy series (that is not a comedy series).
But there could still be some surprises. Kate Winslet in the little-watched The Regime over True Detective’s Jodie Foster? Was the new HFPA charmed by Adam Brody in Nobody Wants This? Perhaps.
“Most people aren’t even aware what they’re feeling as they’re feeling it. Or they’re leaning away from it while interacting with other people. It makes me cringe when I watch a movie and it’s, ‘Oh, look how sad this guy is.’ Wouldn’t he be concealing that?”
Here’s our interview with tonight’s best male supporting actor nominee Kieran Culkin, talking about his role in the comedy drama A Real Pain:
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Opera gloves – as worn by screen stars such as Marilyn Monroe and Audrey Hepburn – have been finding popularity on TikTok and here Pamela Anderson, nominated for a Globe for her role in the The Last Showgirl, has added a note of theatricality to an all-black ensemble that might otherwise have fallen a bit flat.
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The Globes might not be as respected as the Oscars but they’re often way more entertaining, a looser atmosphere and easier access to alcohol assisting things.
There’s almost always a presenting skit that’s genuinely hilarious (early guess is that tonight’s might come courtesy of Melissa McCarthy) with last year giving us this moment of genius from Kristen Wiig and Will Ferrell:
The pair are pros at lifting the Globes, having shown everyone how to do it back in 2013:
There’s a lot to compute here, not least with the mismatching patterns that remind me of static. But any outfit on Colman Domingo, nominated for his part in the film Sing Sing, feels worth trying to compute. The king of the red carpet brooch recently told W magazine: “I’ve always loved dressing. I have an Easter Sunday picture of me as a kid: I’m wearing a red, white, and blue jacket with brown trousers and a tie that’s really big. My mom said, ‘Oh baby, that doesn’t match,’ and I said, ‘But I like it! It makes me feel good!’ Which is why I’m not afraid of a little fringe or a ruffle.” And the red carpet is a more interesting place for it.
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“I play a shadow. The Catholic church is very patriarchal, the cardinals are only men, but the nuns aren’t subservient. They have enormous power. It was important to underline their silence, but that silence doesn’t have to be powerless. I grew up in Rome and went to Catholic school. I knew how to play that because I lived it.”
Here’s our interview with tonight’s best female supporting actor nominee Isabella Rossellini, talking about Conclave:
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Going into tonight, there are already a few historic nominations, such as Karla Sofía Gascón being the first out trans performer to get a film acting nod, but there could be some further records to come:
Fernanda Torres could become the first Brazilian actor to win in the best female actor in a drama category, for her performance in I’m Still Here
Yura Borisov could become the first Russian actor to win best male supporting actor, for his performance in Anora
Payal Kapadia could become the first Indian film-maker to win best director, for All We Imagine as Light
Sofia Vergara could become the first Colombian actor to win best female actor in a limited series, for her role in Griselda
Quinta Brunson or Ayo Edebiri could become the first Black actor to win best female actor in a comedy series for the second time
Hans Zimmer could tie Dimitri Tiomkin for the most best original score wins if he takes it home for Dune: Part Two
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Trust Jeremy Strong will show up to the function in a funny hat – though, plot twist, the king of “monastic chic” is not wearing brown!
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No wacky knitwear? This is not what we expected from Daniel Craig in 2025. As of last year the former 007 has been experimenting with bold looks thanks to his relationship with the Spanish fashion brand Loewe. Fine, this look isn’t exactly a straight-laced tux but it really only leaves the glasses to hint at the fun he has been having of late with the art of getting dressed.
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“It was a very hard film, very raw; very vulnerable to make. But at the same time liberating. I had less pressure than Margaret, because she had the added pressure to look amazing. I degrade throughout and I knew going in that I wasn’t going to be shot in the most glamorous way, or with the edges softened. In fact, the opposite. But there was something freeing about that.”
Here’s our interview with tonight’s best actress in a comedy or musical nominee Demi Moore, talking about her role in the body horror The Substance:
Security will be tight at tonight’s Globes, in light of the unrelated domestic terror attacks on New Year’s Day in New Orleans and Las Vegas, where a Tesla Cybertruck exploded outside the Trump International Hotel. “This year more resources than usual are being put in place,” a federal law enforcement official told Deadline ahead of the show. The beefed-up security measures will reportedly include extra officers, snipers on surrounding buildings, and surveillance searches.
What was I saying about bold menswear? Andrew Scott, nominated tonight for best performance by a male actor in a limited or anthology series for Netflix’s Ripley, is never afraid of a bit of a challenge and few would dare to attempt such a Colgate-adjacent shade of blue as this, even if it is custom Vivienne Westwood. A for effort.
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This year’s nominees, including Nicole Kidman and Denzel Washington, will all receive a gift bag with swag worth about $1m. Gifts include a $48,000 holiday to Finland and a trip on a yacht in Indonesia but as Catherine Shoard writes, there’s a major catch …
Leopard print can be a neutral, but Elle Fanning is here proving that it can also really pack a sartorial punch, particularly when paired with a Tudor-width gown and spotty snake necklace.
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Update: it turns out that both Glen Powell and Timothée Chalamet’s lookalike competition winners, Maxwell Braunstein and Miles Mitchell, are in attendance tonight, which I have to assume is the Globes’ doing.
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It was the knitwear that seemed to leave the biggest mark when it came to the wardrobe of the “hot rabbi” that Adam Brody played in the recent Netflix series Nobody Wants This. Tonight though Brody has taken things very far from wooly jumpers, or the faded band tees and Converse he used to wear as Seth Cohen on The OC. Sandy Cohen would be proud.
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Without an Oppenheimer-sized frontrunner, this season has become incredibly hard to predict, making tonight’s ceremony potentially rather exciting, with results that could help highlight where it’s all heading.
I tried to predict where the major film categories will end up. It was … not easy:
Ricky Gervais isn’t hosting tonight but if he was, he’s told the remaining few still on Twitter/X what jokes he would feature in his monologue.
“Hundreds of entertainers jumped at the chance to go to The Vatican to meet The Pope. Many from Hollywood. Obviously they weren’t content with only being part of the 2nd biggest pedo ring in the world…”
and
“Justin Timberlake was convicted of Drink Driving. If he’d have gone to jail he’d have heard the words ‘Sexy Back’ a lot more often.”
When asked if she would go as hard as Gervais, this year’s actual host Nikki Glaser had this to say:
“I’m not gonna go so hard that anyone’s gonna be offended,” she said to Yahoo. “I’ve made a point not to, and that’s not to disappoint anyone who’s hoping I’m going to pull a Ricky Gervais. I’m not Ricky Gervais. This isn’t my last Golden Globes, this is my first one. He really went hard on his last one. He was ready to burn some bridges [because] it didn’t matter any more … Celebrities shouldn’t be nervous because [showing they have a sense of humor about themselves is] a great opportunity for them to look cool.”
Zoë Kravitz could make a hot water bottle look chic, and here she doesn’t have to because she is dabbling in some very stylish if on-the-nose markers of red carpet dressing: a plunging neckline, a train and bold black and white colourway.
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At first glance this outfit from Anna Sawai, nominated for her role in the epic historical drama Shōgun, might not look like much, but look closer and you will notice some interesting things going on here with texture, subtle colour shifts and cut. Peplums can look naff but this looks modern and cool, which shouldn’t come as a surprise because she is styled by Karla Welch, a Hollywood stylist who has worked with everyone from Greta Gerwig to Justin Bieber and Tracee Ellis Ross.
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Speaking of the menswear, what better place to start than with The Bear actor and chef Matty Matheson? He has been lighting up red carpets not only with his looks but his poses, too. The cream and white is a brave choice ahead of a sit-down dinner, the trousers that look like they haven’t met an iron are very much on-trend and the arms spread wide are bringing the kind of energy we hope is a sign of things to come this year.
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Cate Blanchett has walked more red carpets than most people have had hot dinners – at past Golden Globes she has worn everything from custom Mary Katrantzou to Givenchy couture, Alexander McQueen and Jean Paul Gaultier. This outfit speaks to her Hollywood credentials – confident and seemingly riffing on the Oscars statuette.
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It’s the apex and the denouement of celebrity lookalike contests: Glen Powell has apparently brought his lookalike (from the Austin competition) to the Globes, and introduced him to his mom.
A good place to look for the brightest sartorial sparks tonight may be the menswear, because where men’s red carpet fashion used to be all about the tux, in recent years it has been responsible for some of the most memorable, daring and interesting looks – think Billy Porter in a Christian Siriano ballgown or Timothée Chalamet in a Louis Vuitton harness. Eyes peeled this evening for Colman Domingo, who has proven on recent red carpets that he knows his way around a brooch, as well of course as Chalamet who has a track record of pushing the dial.
But I am also hoping to see plenty of fireworks from the womenswear, both from long-time big hitters such as Tilda Swinton, nominated for her role in Pedro Almodóvar’s The Room Next Door, a film in which her character meets death in a powerful yellow suit, and relative newcomers such as Anora’s Mikey Madison, who has been showing some serious fashion chops of late in JW Anderson, custom Prada and Schiaparelli.
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To the red carpet, which is already under way and … last year the Golden Globes followed a months-long actors’ strike, meaning that the stars went hard, sartorially speaking, in part because they’d spent so long at home – or at least not in couture, in front of cameras, on red carpets. The early flair continued and awards season brought with it such wizardry as a trend for straps that levitated inches above the shoulder, architectural gowns that borrowed as much from Brunel as from Balenciaga and such boldness as Billie Eilish dressed for the office, if the office were a gen Z take on Chanel HQ. This year, let’s hope that the same sense of occasion and innovation continues.
For one indication that it might, look to the fortunes of luxury fashion. Due to slumping sales, anger over massive price inflations and perceived downturns in quality, it is having a relatively unhappy time of it and, as the industry site the Business of Fashion puts it: “Ironically, the slump may also be the reason the red carpet is more entertaining than usual; brands with something to prove can put on a good show.” The red carpet is at the heart of the fashion industrial complex and brands will be seeing in it a chance to shine, both on the night itself and on social media for nights long afterwards. Luxury fashion’s losses may well be red carpet watchers’ gain.
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Last year’s host, Jo Koy, set the bar pretty low with a mostly reviled set, making lazy jokes about Barbie’s boobs and Barry Keoghan’s penis, so it’s made tonight easier for comedian Nikki Glaser. Not that she needed the help – the rising star has become one of the funniest, and most daring, comics around.
Her recent HBO special Someday You’ll Die, nominated tonight, confronted ageing, death and lack of interest in becoming a parent, and it capped off a year that saw her go viral with her brutal roast of Tom Brady.
Here’s a reminder of why:
Last year, the Nu Globes introduced a new category, cinematic and box office achievement, that seemed invented to give something to Barbie and get Taylor Swift to the show. This year, the category is basically a bid for blockbuster audience interest, with Twisters, Beetlejuice Beetlejuice, Alien: Romulus and Inside Out 2 among the nominees.
The crowd-pleaser Wicked, the highest-grossing Broadway adaptation of all time, could be the winner, or maybe the Globes will take this chance to acknowledge the box office dominance of Deadpool & Wolverine.
Welcome back!
We are a mere five days into January, my friends, and awards season is upon us. Of course, the major film award players have been campaigning for months already, but tonight the race begins in earnest – and, at least on the film side, there’s no clear favorite.
Jacques Audiard’s audacious thriller/soap opera/musical Emilia Pérez leads the nominations with 10, while Brady Corbet’s The Brutalist and Edward Berger’s papal thriller Conclave follow with seven and six, respectively. Cannes’s Palme d’Or winner Anora and Coralie Fargeat’s divisive body horror The Substance each have five. On the TV side, it’s basically a repeat of September’s Emmy awards, which heavily favored Shōgun, Hacks and Baby Reindeer, all nominated tonight.
We’re on year two of the new and improved Golden Globes – this year, once again, the awards will be determined by the new 334-member Golden Globes Foundation voting bloc, which replaced the disgraced (and now dissolved) Hollywood Foreign Press Association. More diverse and younger membership should mean different tastes … though last year was pretty cut and dry (Oppenheimer, Poor Things, Succession). Stick with us for the highlights of what should be a return-to-form, A-list awards show.