Meghan’s rebranded herself – and it’s another valiant attempt to flog poshness to the little people
The Duchess of Sussex is in that tricky position of having a large platform and not enough to fill it, says Guardian columnist Emma Brockes
Julian Holloway obituary
Stage and screen actor who appeared in eight of the saucy Carry On films of the 1960s and 70s
Drømmer (Dreams) review – teen’s high romantic hopes throw adults into disarray
When Johanne, at 17, writes a memoir about her passion for teacher Johanna, the precocious result rattles three generations
Why are Americans toasting their fairy bread, and can the New York Times stop them?
The delicacy for kids (and adults alike) requires just three ingredients – so how can people be getting the sacred recipe so wrong?
‘You just want to rewind and watch it again and again’: readers choose the most romantic moments in cinema
From uplifting declarations of undying love to shared plates of spaghetti and tearful resignations of what might have been, these are the movie scenes that have touched our readers’ hearts
Cronos review – Guillermo del Toro’s signature wit and gore on show in 1992 debut
A mysterious mechanical object offers life-giving vitality – but with macabre consequences – in the Mexican maestro’s steampunkish body-horror comedy
EU accused of leaving ‘devastating’ copyright loophole in AI Act
Architect of copyright law says EU is ‘supporting big tech instead of protecting European creative ideas’
Bluish review – dancing, mooching and Zooming with a queer-adjacent vibe
This watchable but oblique drama owes a debt to Belgian director Chantal Akerman’s provocative monotony as it tracks its two young protagonists’ daily rituals
‘We’re projecting into the future’: sounds of BBC Radiophonic Workshop made available for public use
Software goes on sale that replicates the distinctive analogue sounds of celebrated unit where Doctor Who theme was created
Why A Complete Unknown should win the best picture Oscar
Despite being freewheelin’ with the facts, this Bob Dylan biopic has delighted fans old and new, with Timothée Chalamet proving more than just a Zimmerman mimic
I Am Martin Parr review – enjoyable study of tragicomic Britain’s inspired photographer
Valuable documentary on the vigilant genius whose highly coloured 70s and 80s images revealed the white working class as never before
I’m Still Here review – Fernanda Torres’s stoic maternal mask never slips
Emotions hide beneath the surface and horrors lurk behind unseen doors in Walter Salles’s Oscar-nominated tale of the Brazilian disappeared
Oscars 2025: best picture nominees – reviews, awards and where to watch
What to know about the 10 films nominated for the Academy Award’s biggest prize, along with the reviews, interviews and the big prizes earned so far
Afflicted with liberal angst in the age of Trump? Take a leaf from Bridget Jones’s diary
The new movie wasn’t conceived as an allegory of the current international crisis, but for a generation of fans it works on that level, says Guardian columnist Rafael Behr
‘Grow up’: Kevin Spacey responds to Guy Pearce’s allegation that he ‘targeted’ him
‘I’ve got nothing to hide’ says Spacey, after the Australian actor said he is attempting to be more candid about his former co-star’s alleged behaviour